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Setting up electronics (from the car)
Waiting and waiting at Comcast to pick up a DVR
Purchasing required supplies for the design class I'm taking at the
Ringling College of Art and Design
Filling the fridge (no photo - you know what that looks like)
If you ask what took us so long today, you may be shown all 77 photos that I took at the Kennedy Space Center.
Instead, here are some of the realities that I enjoyed the most:
What every (inner) child wants to know -- where do astronauts go to the bathroom?
Why substitute a two-dimensional or even three-dimensional representation for the real thing -- even if it is far away?
First, we decreased the number of Apple computers in the house by two. The two oldest (a 170 mac-powerbook from way back when Jack was at the Torrington Company, and my G3 powerbook, probably from my last days at UMass) were packed up for shipping to Apple's recycling program. Now only my G4 and MacPro remain. Tomorrow we intend to repeat the process with Dell laptops.
I now have an official identity at four libraries! (Others are Sarasota Public Library, SHU, and U. Gothenburg.) Apart from obvious reference books, I wonder how many (print) books are held by all the libraries (i.e., same book in each collection, not the total number of books held by all). I don't think I'll try to find out!
My postcard-souvenier from the Yale Art Gallery is not a picture - but it gives me a clue in my identity quest. I need a "studio experience". I understand how designers/artists work, and I've worked with some while they were designing. But I've never struggled with the process myself. And I won't have a "real" Business & Design Lab identity until I do. So what to do? I've started to peruse recreation department and continuing ed catalogs. I'm not sure I'll even have a choice other than "watercolors for beginners." (And I haven't even found that class yet.) Technique is not what I'm seeking - it's the struggle and inspiration of the process.
Today I had few hours to spare in New Haven. First I went to the "Continuous Present" exhibition at the Yale University Art Gallery. It was just one room, with paintings, sculpture, drawings, photography, and video by 11 artists. Each piece, in one way or another conceptualized "time, interrupted!"
I enjoyed it tremendously. Partly because of my own interest in "time" from my early doctoral work at UMass, but also because my own "time orientation" IS the present -- I care little for the traditions of the past, and have no need to expect a "better" future in the way of the modernists. (This reflection may put me at odds with one of my potential re-design role models from yesterday's post.) Each piece was different, and could be enjoyed -- or not -- without comparison with similar pieces. I especially enjoyed Rodney Graham's short film, "City self/Country self." The New York Times art critic found it "visually captivating, but unresolved." Isn't that the continuous present?
It is, according to the exhibition curator's notes. And, according to another scholar, it reveals the artist's multiple identities. No wonder I watched it more than once!
Then I walked past the Yale Colleges on Elm Street and the New Haven Green, remembering with a shock that I had once worked for a consulting firm with offices that overlooked the Green,
and into the New Haven Public Library.